'Men in Black III'
Flashing back to 1969, "Men in Black III" has some fun with Andy Warhol's wig, Coney Island hippies and the moon landing, yet can't quite summon a time when this sci-fi comedy franchise felt fresh.
The third in director Barry Sonnenfeld's aliens-among-us series reassembles most of the elements that made 1997's original a charmer.
Will Smith and Tommy Lee Jones are back, if a bit bedraggled, as the top-secret government agents battling all variety (mostly gross) of space aliens. FX genius Rick Baker populates the planet with fantastically realized visitors, and the script (credited to Etan Cohen after years of rumored rewrites by committee) taps some of the first installment's snappy cynicism.
The film gets off to an energetic start with the lunar prison escape of one-armed Boris the Animal (Jemaine Clement, the "Flight of the Conchords" funnyman, unrecognizable as a Hells Angels-type villain).
nce free, Boris heads back to 1969, determined to rewrite history by killing Jones' then-rookie Agent K.
Smith's Agent J follows headlong in pursuit, and Sonnenfeld demands we do the same — pondering the film's near-absent internal logic is as pointless as the rules "MIBIII" invents as it goes.
Our payoff is Josh Brolin as the younger, slightly happier version of Agent K. Brolin is a special effect in himself, nailing Jones' gruff mannerisms.
The film is best at its goofiest — a fistfight atop Apollo 11, a free-fall plunge from the Chrysler Building and, loveliest of all, a trip to an empty Shea Stadium, where an ethereal, future-seeing alien (Michael Stuhlbarg, in Elmer Fudd drag) explains all the necessary variables that will contribute to the Miracle Mets' unlikely World Series victory. That's magic.
'Moonrise Kingdom'
Like one of the adolescent misfits in his defiantly quirky "Moonrise Kingdom," director Wes Anderson draws a line and dares detractors to cross it.
Go ahead, cross over. "Moonrise Kingdom" is a gem, an off-kilter fable of first love, awkward kids and Scouting skills.





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